© Anna V. Baichik
Doctor of Political Sciences, professor at the Chair of International Journalism, School of Journalism & Mass Communication, Saint Petersburg State University (Saint Petersburg, Russia), a.baychik@spbu.ru
© Yan O. Davidenko
PhD student, School of Journalism & Mass Communication, Saint Petersburg State University (Saint Petersburg, Russia), yan391998@mail.ru
Abstract
The article explores the history of the development of comic book format in the United States of America, as well as analyses the narrative techniques and key elements that define this form of storytelling. American comic books have a rich and dynamic history, shaped by social changes and advancements in drawing, digital technologies and breakthroughs in communication. This form of storytelling has unique elements of narration. Moreover, in this article, an attempt was made to study comics through the prism of communication, using the appropriate terminology. This research is based on «Comics studies», a theoretical framework which was created by renowned illustrators and comics researchers who aimed to organize and classify the narrative characteristics of comics, thus distinguishing it from other forms of art. In line with this framework, unique narrative techniques and elements that set the comic book format apart from other media have been identified and examined.
Key words: comic book, verbal narration, nonverbal narration, visual storytelling
References
Baetens J. (2008) Stories and Storytelling in the Era of Graphic Narrative. Amsterdam: Amsterdam University Press. Pp. 27–44.
Bkhat S.B., Ryabova M.E. (2019) Manga, ili yaponskiy vizual'nyy yazyk, kak sposob kommunikatsii [Manga or Japanese visual language as a means of communication]. Vestn. Tom. gos. un-ta. Kul'turologiya i iskusstvovedenie 36: 13–21. (In Russian)
Eisner W. (1985) Comics and sequential art. Tamarac: Poorhouse press.
Korneva E.V. (2018) Onomatopy v perevodcheskom aspekte [Onomatopoeia in the aspect of translation]. Kazanskiy vestnik molodykh uchenykh 4 (7): 94–97. (In Russian)
Lee S. (2011a) How to draw comics. New York: Watson-Guptill Publications.
Lee S. (2011b) How to write comics. New York: Watson-Guptill Publications.
Makhashvili G.D. (2012) Illyustrirovannaya kniga i komiks [Illustrated book and comic book]. Vestnik MGUP 6: 205–210. (In Russian)
Makklaud S. (2016) Ponimanie komiksa Nevidimoe iskusstvo [Understanding of comics. The invisible language]. Moscow: Beloe yabloko Publ. (In Russian)
McCloud S. (2000) Reinventing Comics: The Evolution of an Art Form. New York: William Morrow Paperbacks.
McCloud S. (2006) Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels. New York: William Morrow Paperbacks.
Pavlova O.A. (1999) Osnovy teorii literatury: Uchebno-metodicheskoe posobie [The basics of literature theory: Teaching manual]. Volgograd: VolGU Publ. (In Russian)
Ryazanova A.Yu. (2015) Verbal'nye i neverbal'nye komponenty novostnogo komiksa kak polikodovogo zhurnalistskogo teksta [Verbal and nonverbal components of news comic book as a multimodal journalistic text]. Vestnik RUDN. Seriya: Teoriya yazyka. Semiotika. Semantika 1: 157–160. (In Russian)
Stolyarova L.G. (2009) Komiks kak tip diskursa [Comic strip as a type of discourse]. Izvestiya TulGU. Gumanitarnye nauki 2: 278–284. (In Russian)